Richard Marquis
Artist Statement:
“Then and Now” is an examination of some of my early work compared with recent work. I had never liked looking at my old work, but as I reached a certain age I came to appreciate and re-examine some of the pieces I made decades ago. I perused my old sketchbooks and catalogues. There were pieces I’d made that I couldn’t make today due to various reasons . . . (mostly a short little span of attention). I found abandoned projects that I felt should be resurrected. I found ideas I still wanted to explore. Thomas Wolfe said “You can’t go home again.” But I thought I could go to my glass shop again. Why not? It’s only 30 yards away.
American Glass Museum, Millville, NJ |
Australian Council for the Arts, Sydney, Australia |
Australian National Gallery, Canberra, Australia |
Carnegie Mellon Museum of Art, Pittsburgh, PA |
City Art Gallery, Wagga Wagga, New South Wales, Australia |
Corning Museum of Glass, Corning, New York, NY |
Craft and Folk Art Museum, Los Angeles, CA |
Dowse Art Museum, Wellington, New Zealand |
Fine Arts Museums of San Francisco, de Young Legion of Honor, San Francisco, CA |
Finnish National Glass Museum, Riihimaki, Finland |
Glasmuseet Ebeltoft, Ebeltoft, Denmark |
Indiana University Art Museum, Bloomington, IN |
Indianapolis Museum of Art, Indianapolis, IN |
J.B. Speed Art Museum, Louisville, KY |
Johnson Wax Collection, Racine, WI |
Koganezaki Glass Museum, Shizuoka, Japan |
Kunstmuseum, im Ehrenhof, Dusseldorf, Germany |
Lannan Foundation Museum, Palm Beach, FL – Palm Beach Community College Museum of Art |
Los Angeles County Museum of Art, Los Angeles, CA |
Metropolitan Museum of Art, New York, NY |
Mint Museum of Art/Craft + Design, Charlotte, NC |
Mobile Museum of Art, Mobile, AL |
The Morris Museum, Morristown, NJ |
Musee des Arts Decoratifs, Lausanne, Switzerland |
Museum fur Kunsthandwerk, Frankfurt, Germany |
Museum of Art, Auckland, New Zealand |
Museum of Art, Rhode Island School of Design, Providence, RI |
Museum of Arts & Design, New York, NY (formerly American Craft Museum) |
National Art Museum, Auckland, New Zealand |
National Gallery of Victoria, Melbourne, Victoria, Australia |
National Glasmuseum, Leerdam, Holland |
National Museum of American Art, Renwick Gallery, Smithsonian Institution, Wash. D.C. |
New Glass Museum, Tsukuba, Japan |
New Orleans Museum of Art, New Orleans, LA |
Philadelphia Museum of Art, Philadelphia, PA |
Powerhouse Museum, Sydney, Australia |
Prescott Collection of Pilchuck Glass at U.S. Bank Centre, Seattle, WA |
Queen Victoria Museum and Art Gallery, Launceton, Australia |
Racine Art Museum, Racine, WI |
Royal Ontario Museum, Toronto, Canada |
Sea of Japan Collection |
Seattle Art Museum, Seattle, WA |
Seattle First National Bank, Seattle, WA |
Seattle Sheraton Hotel and Towers, Seattle, WA |
Swedish Hospital and Medical Center, Seattle, WA |
Tasmanian Art Museum, Hobart, Tasmania, Australia |
The Toledo Museum of Art, Toledo, OH |
Victoria and Albert Museum, London, England |
World Modern Glass Arts Museum, Hiroshima, Japan |
2013 | Masters of Studio Glass: Richard Marquis, Corning Museum of Glass, Corning, NY |
2012 | Mobilia Gallery, Cambridge, MA |
2010 | Razzle Dazzle Man, Caterina Tognon Arte Contemporanea, Venice, Italy Outbreaks of Obfuscation, Bullseye Connection Gallery, Portland, OR Then and Now, Traver Gallery, Seattle, WA |
2009 | Maurine Littleton Gallery, Washington, DC Imago Galleries, Palm Desert, CA |
2008 | One Person Group Show, Traver Gallery, Tacoma, WA |
2007 | The Mythological Horizontal Surface, Bullseye Connection Gallery, Portland, OR The Way of the Artist, Fullerton Art Gallery, CSU, Fullerton, CA |
2004 | Continuous Compatibility Test, Bullseye Connection Gallery, Portland, OR (catalog) Maurine Littleton Gallery, Washington, DC |
2003 | R. Duane Reed Gallery in collaboration with Elliott Brown Gallery, Ft. Lauderdale, FL Maurine Littleton Gallery, Washington, DC Sandra Ainsley Gallery, Toronto, Canada A Commentary on Nature and the Indy 500, Museum of Northwest Art, LaConner, WA |
2002 | Glasmuseet Ebeltoft, Denmark (catalog) Elliott Brown Gallery, Seattle, WA |
2001 | Whole Elk Theory, Elliott Brown Gallery, Seattle, WA |
2000 | Galerie Rob Van Den Doel, The Hague, The Netherlands |
1999 | Animal Kingdom, Elliott Brown Gallery, Seattle, WA Galleria D’Arte & Divetro, Bergamo, Italy |
1998 | Caffe Florian, Venice, Italy (in collaboration with Galleria D’Arte & Divetro, Bergamo, Italy) Dorothy Weiss Gallery, San Francisco, CA Bullseye Resource Center, Portland, OR (in collaboration with Elliott Brown Gallery, Seattle, WA) Franklin Parrasch Gallery, New York, NY |
1997-98 | Richard Marquis Objects: 1967-1997, Seattle Art Museum, Seattle, WA Richard Marquis: Objects of Prolonged Endeavor, Elliott Brown Gallery, Seattle, WA |
1995 | Suffering From Versatility,Elliott Brown Gallery, Seattle, WA Franklin Parrasch Gallery, New York, NY |
1994 | Recent Works in Context, Elliott Brown Gallery, Seattle, WA |
1993 | Gallery Nakama, Tokyo, Japan |
1991 | Betsy Rosenfield Gallery, Chicago, IL Kurland / Summers Gallery, Los Angeles, CA |
1990 | Sandra Ainsley Art Forms, Toronto, Canada Kurland / Summers Gallery, Los Angeles, CA Betsy Rosenfield Gallery, Chicago, IL |
1989 | Louise Allrich Gallery, San Francisco, CA Auckland Art Museum, New Zealand |
1987 | Dowse Art Museum, Wellington, New Zealand |
1986 | Foster / White Gallery, Seattle, WA B.Z. Wagman Gallery, St. Louis, MO |
1985 | Snyderman Gallery, Philadelphia, PA |
1984 | San Francisco State University Art Gallery, San Francisco, CA Traver / Sutton Gallery, Seattle, WA |
1983 | Warner Gallery, Los Angeles, CA Auckland Art Museum, New Zealand |
1980 | Branch Gallery, Washington, D.C. Heller Gallery, New York, NY |
1978 | Gallery Morronnier, Kyoto, Japan Peabody College Art Gallery, Nashville, TN |
1976 | Queen Victoria Museum, Launceton, Tasmania Tasmanian Art Museum, Hobart, Tasmania |
1974 | Realities Gallery, Melbourne, Victoria, Australia |
1971 | Manolides Gallery, Seattle, WA |
1969 | Palomar College, San Marcos, CA |